But perhaps audiences did take it too literally - they thought Allen would never make a comedy again after this film. Sandy definitely shares Allen’s disdain for awards, with the Academy Awards being singled out. He has stated that parts where people want Sandy to just make comedies was in part taken from the reaction to Interiors (1978). And the rest of the film takes place in his mind.” And he looks at this dead thing and it reminds him of his own mortality. “I think that essentially what I wanted to show, as I do in so many of my films, was man’s relationship with mortality.This character who is seemingly rich and chauffeured around and successful and all that… he is in his apartment in the beginning of the movie, and his housekeeper brings in this dead rabbit. This was actually Allen’s 9th film as writer/director, and including collaborations would make this something like 10 1/2.)īut Allen went elsewhere with the premise, and something deeply personal. (The title of 8 1/2 refers to the number of films Fellini had made by that point, with one collaboration counting as a half. 4, to show that he was not half the director of Fellini. ![]() The nod to 8 1/2 even comes from Allen’s working title for the film, which was Woody Allen No. Allen, as Sandy Bates, is a director attending a retrospective of his films, but there is actually a science fiction element to the film. Allen certainly takes Fellini’s premise and runs with it. Stardust Memories, at its core, feels almost like a remake. We follow him on the set of his new film, a science fiction one, as he sifts through memories of his life gone by. It told the story of Guido Anselmi (played by Marcello Mastroianni), a famous Italian director who is suffering from so-called ‘director's block’. ![]() ![]() T he biggest influence on this film is Frederico Fellini’s film Otto e mezzo (a.k.a. Everything You Always Wanted To Know About Sex* (*But Were Afraid To Ask).
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