It reminds us that this final instalment is being narrated by the ever faithful Watson and delivered from the Baker Street study, a final case solved, even if it brings an ambivalent happy ending.Īvailable online until 22 January. Victoria Spearing’s set has a William Morris-style design on the walls and rays of sunlight across oak floorboards (lighting design by Oliver Welsh). Visually it works well on film, with closeups and cuts that bring dramatic focus (film direction by Alex Harvey-Brown). The cast (including Alice Osmanski and Blake Kubena) double up in roles across the plotlines and their agile performances give the production its bounce. The stories are engaging and they train readers to look deeply into all they see. Holmes is the perfect foil to give science fiction and fantasy ideas enough explanation and grounding to be considered real. Klaver can make what could be considered unbelievable, believable. Holmes has a brief, potent encounter with Moriarty (Gavin Molloy) in a pacier second half. Sherlock Holmes is great, the earlier the better. Sherlock Holmes and Count Dracula works because it stays true to the characters of both worlds. But Barton and Derrington build chemistry, having played the duo before, and infuse their pairing with intensity Watson takes Holmes to task in one scene which switches the dynamic and Holmes expresses admiration for him in a rare, if understated, show of emotion. The latter, played by Joseph Derrington, seems like a tweedy sidekick who takes the putdowns graciously. Luke Barton’s Holmes – young, bushy-tailed – has the air of a supercilious clever clogs, reminding Watson he is always 10 steps ahead. Typing up the final case summary, even Watson observes: “The two tales lack a cohesive conclusion.” But the production is an elegant one nonetheless. The graphic design is impeccable and the charts and photos do a great job of providing backdrops and explanations for anything either cultural puzzling or. The stories run alongside each other and the Pennsylvania strand looks like a cross between Gangs of New York and Gunfight at the OK Corral – but more comic when we learn its murderous tentacles have reached Tunbridge Wells.
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